Blinded Light
Spencer Kryzanowski: Significant film appreciation, especially of the Foreign and Independent brand. Mexican food is fun, and BMus in Piano Performance at the U of A.
-
I haven’t wept through a movie in a while. Children of Men really did it for me this time.
-
“Thousand twinkling lights in a September night sky
makes a heart filled with void remembers the aching of a loss, five years ago.
and there you stood, just like a picture it seemed to me.
and there you stood, the wind had gripped your pail hair and also caught my heart.
and everything i didn’t say echoes forever.
you never saw how much you hurt me i guess. but then again,
thousand twinkling lights in an October night sky
makes my heart slowly wander and stumbles across the aching of a loss, two years ago.
and the words as follow: “i can’t help that i still miss those nights we spent speaking in silence”
i’ve been waiting so long for a moment when i don’t feel this way.
i’ve been waiting for a moment when i no longer feel trapped inside this hollow body, when i’m at ease.
all this years i’ve told myself to wait for it.
maybe i feel better if i just wait for it.
whenever you’re around i shut my eyes and wait for it.
i hope and wait, i just wait for it.
but what if the moment never comes? will i be left with all my thoughts?
what if i never can let go? will i ever get over you? will i ever?” -
The Esztergom Basilica by Iris (Irene Becker) on Flickr.
Sang Here.
-
Photo reblogged from N o C a r s G o
![oldhollywood:
Sissy Spacek & Martin Sheen on the set of Badlands (1973, dir. Terrence Malick)
Sheen: “One night I got a call saying that [Malick] decided to use me and would I be willing to do it. And I said, ‘Why sure, I’d be happy as Larry’. [The next morning], I was driving along Pacific Coast Highway and I was listening to a Dylan song called Desolation Row..and suddenly it dawned on me what had just happened - that I had the role of my life. And I began to weep uncontrollably with joy and I had to pull off the side of the road and just stop and reflect on what was happening. And it was one of the most profound moments of my life because it was the realization of a dream that I never thought would happen to me.”
Spacek:”It was a very passionate kind of working experience. No one was making any money and everyone was there because we were desperate to work on the film…It was probably the first film that I felt creatively engaged in. Terry would ask me questions about the character. I felt like I wasn’t just an actor for hire…After working with Terry, I was like, ‘The artist rules. Nothing else matters.’ My career would have been very different if I hadn’t had that experience.”
(via)](http://25.media.tumblr.com/tumblr_m43b5yuKl61qzdvhio1_500.jpg)
Sissy Spacek & Martin Sheen on the set of Badlands (1973, dir. Terrence Malick)
Sheen: “One night I got a call saying that [Malick] decided to use me and would I be willing to do it. And I said, ‘Why sure, I’d be happy as Larry’. [The next morning], I was driving along Pacific Coast Highway and I was listening to a Dylan song called Desolation Row..and suddenly it dawned on me what had just happened - that I had the role of my life. And I began to weep uncontrollably with joy and I had to pull off the side of the road and just stop and reflect on what was happening. And it was one of the most profound moments of my life because it was the realization of a dream that I never thought would happen to me.”
Spacek:”It was a very passionate kind of working experience. No one was making any money and everyone was there because we were desperate to work on the film…It was probably the first film that I felt creatively engaged in. Terry would ask me questions about the character. I felt like I wasn’t just an actor for hire…After working with Terry, I was like, ‘The artist rules. Nothing else matters.’ My career would have been very different if I hadn’t had that experience.”
(via)
![oldhollywood:
Sissy Spacek & Martin Sheen on the set of Badlands (1973, dir. Terrence Malick)
Sheen: “One night I got a call saying that [Malick] decided to use me and would I be willing to do it. And I said, ‘Why sure, I’d be happy as Larry’. [The next morning], I was driving along Pacific Coast Highway and I was listening to a Dylan song called Desolation Row..and suddenly it dawned on me what had just happened - that I had the role of my life. And I began to weep uncontrollably with joy and I had to pull off the side of the road and just stop and reflect on what was happening. And it was one of the most profound moments of my life because it was the realization of a dream that I never thought would happen to me.”
Spacek:”It was a very passionate kind of working experience. No one was making any money and everyone was there because we were desperate to work on the film…It was probably the first film that I felt creatively engaged in. Terry would ask me questions about the character. I felt like I wasn’t just an actor for hire…After working with Terry, I was like, ‘The artist rules. Nothing else matters.’ My career would have been very different if I hadn’t had that experience.”
(via)](http://25.media.tumblr.com/tumblr_m43b5yuKl61qzdvhio1_1280.jpg)
